Agnieszka Polska
Biografia
Agnieszka Polska foi a vencedora de 2017 do Prémio da National Gallery em Berlim, o prémio de arte mais prestigiado da Alemanha, e representou a Polónia na 57.ª Bienal de Veneza, com curadoria de Christine Macel. A artista já realizou exposições individuais no Centro de Arte Contemporânea Ujazdowski Castle, Varsóvia, Nottingham Contemporary, Nottingham, Salzburger Kunstverein, Salzburg e Summerhall, Edimburgo, entre outros.
Os seus filmes oníricos, imersivos e visualmente poderosos exploram questões do tempo e da memória, desenhando e examinando as relações intrincadas entre os vários processos de influência, legitimação ou exclusão nos campos da linguagem, da ciência e da história. Estes já foram exibidos na Tate Modern, no MoMA, New Museum, Hamburger Banhof, 19th Biennale of Sydney, Berliner Festpiele, International Documentary Film Festival, Copenhagen, Institute of Contemporary Arts / Lux Biennial of Moving Image, Londres, Bienal de Atenas, BoCA, entre outros.
Eventos
The Talking Car
AGNIESZKA POLSKA
Under an invitation from BoCA, visual artist Agnieszka Polska creates her first theatre piece, with interpretation by Albano Jerónimo, Íris Cayatte, Vera Maintaino and Bartosz Bielenia. A group of people travel in a car that doesn't stop. A tale about one's role in the complex system of human and nonhuman agents and socio-technological infrastructures.
The Talking Car
AGNIESZKA POLSKA
Under an invitation from BoCA, visual artist Agnieszka Polska creates her first theatre piece, with interpretation by Albano Jerónimo, Íris Cayatte, Vera Maintaino and Bartosz Bielenia. A group of people travel in a car that doesn't stop. A tale about one's role in the complex system of human and nonhuman agents and socio-technological infrastructures.
The Talking Car
AGNIESZKA POLSKA
Under an invitation from BoCA, visual artist Agnieszka Polska creates her first theatre piece, with interpretation by Albano Jerónimo, Íris Cayatte, Vera Maintaino and Bartosz Bielenia. A group of people travel in a car that doesn't stop. A tale about one's role in the complex system of human and nonhuman agents and socio-technological infrastructures.
The Talking Car
AGNIESZKA POLSKA
Under an invitation from BoCA, visual artist Agnieszka Polska creates her first theatre piece, with interpretation by Albano Jerónimo, Íris Cayatte, Vera Maintaino and Bartosz Bielenia. A group of people travel in a car that doesn't stop. A tale about one's role in the complex system of human and nonhuman agents and socio-technological infrastructures.
The Talking Car
AGNIESZKA POLSKA
Under an invitation from BoCA, visual artist Agnieszka Polska creates her first theatre piece, with interpretation by Albano Jerónimo, Íris Cayatte, Vera Maintaino, Bartosz Bielenia and Aaron Ronelle. A group of people travel in a car that doesn't stop. A tale about one's role in the complex system of human and nonhuman agents and socio-technological infrastructures.
The Talking Car
AGNIESZKA POLSKA
Under an invitation from BoCA, Agnieszka Polska creates her first theatre piece, with interpretation by Albano Jerónimo, Íris Cayatte, Vera Maintaino, Bartosz Bielenia and Aaron Ronelle. A group of people travel in a car that doesn't stop. A tale about one's role in the complex system of human and nonhuman agents and socio-technological infrastructures.
The New Sun
AGNIESZKA POLSKA
“The New Sun” brings the Polish artist Agnieszka Polska to Portugal for the first time. A projection of the sun personified as a cartoon character that speaks directly to the audience about scientific theory, poetry, natural disasters, trivial jokes and love songs. Here, the sun is everything you see before the final collapse of your system, your planet, your sunset - the last witness to your extinction, softly driving you towards the black hole of a last meditation.
I Am the Mouth
AGNIESZKA POLSKA
In “I Am the Mouth”, a pair of lips partially submerged in turbulent waters floats while repeating soothing words, artistically reframing the viral Internet phenomenon of ASMR videos (Auto Sensory Meridian Response) - where sounds generated by trivial materials scratching against the microphone or whispering voices are amplified to stimulate pleasant tingling sensations on the nape.