At the forefront of new Chinese contemporary art, Tianzhuo Chen uses colourful, grotesque, and kitsch images dominated by references to Chinese religion, Japanese Butoh, voguing, and the world of fashion. The electronic-pop mantras of Nepalese-Tibetan artist Aïsha Devi create a musical landscape that is intense and visceral, industrial and danceable. In this transgressive theatre of the absurd set to dance music, symbols of sadhu ritualism, magic, androgynous clowns, and tattooed twin dwarfs are combined in a mixture of pop and religious, Western and Eastern references.