Biennial 17 – New Temples

13 March

Porto

FBAUP

masterclass

Free admission

Héctor Zamora

Masterclass “Héctor Zamora”

17 – 31 March

Lisboa

Lisboa

1 – 30 April

Porto

Porto

Workshop

Aram Bartholl

Dead Drops

“Dead Drops” is an anonymous, offline network for archiving and sharing digital files, located in public spaces in the cities of Lisbon and Oporto. USB pen drives are cemented into walls and buildings accessible to anyone in the public space.

18 March

Porto

Passos Manuel

Party

RAMZi, Obalski, CVLT

Party

23 March

Porto

Maus Hábitos

conversa

Free admission

Groove Ball, Rabbit Hole, Thug Unicorn

Debate Queerizando Espaços

24 – 25 March

Porto

Casa da Música

performance

Free admission

Kirill Savchenkov

Museum of Skateboarding

Reconstruindo arqueologicamente os movimentos e intenções do skate, os vídeos do artista russo Kirill Savchenkov propõem uma teoria e um guia do Novo Skate, combinando o skate com conhecimentos de artes marciais, treino militar e fitness.

25 March

Porto

Maus Hábitos

Party

Groove Ball

“Groove Ball” Party

As a recreation of the 90s New York’s Ballrooms, frequented by LGBTQ communities subculture, Groove BALL blooms in the emerging Oporto’s night panorama where we assist to small but yet very relevant cultural and artistic intervention.

28 March

Porto

Teatro Nacional São João

masterclass

Free admission

Romeo Castellucci

Masterclass “Romeo Castellucci”

30 – 31 March

Porto

Teatro Nacional São João

performance

Romeo Castellucci

Peças Soltas (Júlio César)

“Julius Cesar. Spared Parts” features two mysterious characters: “…Vski,” a sort of Stanislavski who films the vibrations of his vocal chords with an endoscope, and Marc Antony, played by an actor without vocal chords, who addresses the audience directly from his oesophagus. Combining sculpture, technology, and the animal world, Castellucci once again challenges the conventions and limits of disciplines.

31 March – 2 April

Lisboa

Museu de Lisboa

7 – 8 April

Porto

Praça D. João I

Theatre

João Pedro Vale, Nuno Alexandre Ferreira

Palhaço Rico Fode Palhaço Pobre

João Pedro Vale & Nuno Alexandre Ferreira’s visual arts practice includes a series of collaborations with other artists resulting in films, installations, fanzines, performances, set designs, and curatorial projects.

1 – 2 April

Lisboa

Teatro Nacional D. Maria II

8 April

Porto

Teatro Nacional São João

22 April

Castelo Branco

Cine-Teatro Avenida

Music

Free admission

Filipa Francisco, Filipe Reis, José Luís Bento Coelho, Paulo Raposo, Pedro Tudela, Vera Mantero

Música Pobre

Students from three music schools in Portugal will participate in a 6-month training and creation project entitled “Poor Music,” directed by Filipa Francisco (choreographer), Pedro Tudela (visual and sound artist), Paulo Raposo and Filipe Reis (anthropologists), José Luís Bento Coelho (acoustic engineer), and Vera Mantero (choreographer).

6 April

Porto

FBAUP

Theatre

Free admission

Jérôme Bel

Disabled Theater

Jérôme Bel works with non professional dancers to explore questions which go beyond representation. In “Disabled Theater” he researches with 11 mentally disabled actors from the Swiss based company Theater HORA.

7 April

Porto

Gare

Party

Thug Unicorn

Thug Unicorn

13 April

Porto

Passos Manuel

27 April

Lisboa

Cinema São Jorge

cinema

Free admission

Gilles Delmas, Damien Jalet

The Ferryman

“Ferryman” is a cinematographic and choreographic exploration of the animist roots of ritual, dance and sculpture, and their importance today. Between documentary and fiction, the film is a reflective journey across the boundaries of the worlds, narrated by Marina Abramovic and with music by Ryuichi Sakamoto.

18 April

Porto

FBAUP

22 April

Lisboa

FBAUL

masterclass

Free admission

Tania Bruguera

Masterclass “Tania Bruguera”

20 – 21 April

Porto

Teatro Nacional São João

Installation

Tania Bruguera

Endgame

Designed for the context of the BoCA, the artist challenges herself to enter the territory of the theater, proposing to stage “Endgame” by Samuel Beckett, a text she read in 1998 and for which she designed a giant cylindrical structure, which will be inhabited by the public, who sees the show from top to bottom.

21 April

Porto

Casa da Música

Installation

Crinabel Teatro, Digitópia

Guia Prático para Artistas Ocupados

In this collaboration, the creation is conceived for 13 performers with mental disabilities, from Crinabel Teatro. They challenge the boundary between fiction and reality, trying to find, among Cindy Sherman’s creative universe and theirs own, a possibility of changing paradigmatic forms and contents and calling into question the absolute senses.

21 April

Porto

Passos Manuel

Party

Serpente, DJ Khabal

Party “Serpente & DJ Khabal”