BoCA Summer School 2018 — Next Performances

BoCA SUMMER SCHOOL 2018

If you are interested in visual arts, architecture or design, this is for you. The Japanese artist Tadashi Kawamata comes to Lisbon to share the vast experience in site-specific installations, in collaboration with the collective of artists Os Espacialistas. It is a unique opportunity to learn, conceptualize and participate in the construction of the new exhibition that Kawamata will create for MAAT Museum.

BoCA SUMMER SCHOOL 2018

The notion of Arte Útil, or Useful Art, has been proposed by the Cuban artista Tania Bruguera and na informal group of collaborators to describe collaborative artistic practices that contribute to social change, creating beneficial outcomes to the people or communities involved in them. The Portuguese curator Miguel Amado delivers this workshop in collaboration with Bruguera and Alistair Hudson, the co-directors of the Arte Útil Association.

BoCA SUMMER SCHOOL 2018

"Sexy MF" by Ana Borralho & João Galante is already a classic of the performance art in Portugal. The workshop questions the body and its intimacy, sexuality and eroticism, identity, gender behavior and its limits. How to transcend the notions of feminine and masculine, not only in the intellectual understanding but in the physical experience of the day to day? How to create sexual confusion by nullifying or stressing gender?

BoCA SUMMER SCHOOL 2018

Belgian choreographer Jan Martens comes to Lisbon to conduct a dance workshop for dance and theater performers. The workshop offers a total immersion into the diverse choreographic landscape of Jan Martens' creations, which introduces participants to the methodologies they have used for some of their work.

BoCA SUMMER SCHOOL 2018

BoCA's director and theatre director, John Romão, proposes the workshop "Bad and Sick". A laboratory of theatre creation that combines references and concepts from the visual arts and performance art. Open to students and professionals of the performing arts.

BoCA SUMMER SCHOOL 2018

After his trip to Lisbon during the BoCA 2017 Biennial, with "Nowhere", in collaboration with Ricardo Jacinto, Italian pianist Marino Formenti, considered the "Glenn Gould of the 21st century" (Los Angeles Times), is leading a workshop on his concept of "Systemic Music Performance" for musicians and composers.