Paul B. Preciado’s film “Orlando, my political biography” is an adaptation of one of English writer Virginia Woolf’s most famous works, “Orlando”, in which the director addresses a letter to the writer saying that her character Orlando has become real. Paul B. Preciado cast 25 different people, all trans and non-binary, from 8 to 70 years old, to play Virginia Woolf’s fictional character, while narrating and questioning their own lives: “who are the contemporary Orlandos?”. The film also brings together a series of archival images of trans people from the mid-20th century who invoke the real historical Orlandos in their struggle for recognition and visibility.

Virginia Woolf wrote “Orlando” in 1928 and it was the first novel in which the main character changes sex in the middle of the story. A century later, trans writer and activist Paul B. Preciado decides to send a film letter to Virginia Woolf: her Orlando has stepped out of her fiction and is living a life she could never have imagined.

First film by Paul B. Preciado, premiered this year at the Berlinale and winner of the Teddy Award for Best Documentary, “Orlando, my political biography” arrives in national cinemas in October, with a preview within the scope of BoCA, in partnership with Nitrato Filmes.

Next Performances

read more
  • O Barco / The Boat

    13 April 2024 — 14 April 2024
    Inhotim, Brumadinho (Brasil)

    GRADA KILOMBA

    From 13 April, Galeria Galpão of Inhotim Institute will host O Barco / The Boat by Grada Kilomba, a sculptural, performative and poetic work commissioned by BoCA 2021 and presented for the first time in Brazil.

    +
  • The Talking Car

    18 April 2024 — 19 April 2024
    deSingel

    AGNIESZKA POLSKA

    Under an invitation from BoCA, visual artist Agnieszka Polska creates her first theatre piece, with interpretation by Albano Jerónimo, Íris Cayatte, Vera Maintaino and Bartosz Bielenia. A group of people travel in a car that doesn't stop. A tale about one's role in the complex system of human and nonhuman agents and socio-technological infrastructures. 

    +
  • The Talking Car

    16 June 2024 — 18 June 2024
    Wiener festwochen

    AGNIESZKA POLSKA

    Under an invitation from BoCA, visual artist Agnieszka Polska creates her first theatre piece, with interpretation by Albano Jerónimo, Íris Cayatte, Vera Maintaino and Bartosz Bielenia. A group of people travel in a car that doesn't stop. A tale about one's role in the complex system of human and nonhuman agents and socio-technological infrastructures. 

    +
  • TERRA COBRE

    18 July 2024 — 19 July 2024
    Festival dos Canais

    JOÃO PAIS FILIPE & MARCO DA SILVA FERREIRA

    New performance by sound artist and sculpture João Pais Filipe and dancer/choreographer Marco da Silva Ferreira, crossing the traditional practice of Alcáçovas' rattle art with contemporary artistic practices, anchored in percussion and dance.

    +
  • The Talking Car

    06 September 2024 — 07 September 2024
    Nowy Teatr

    AGNIESZKA POLSKA

    Under an invitation from BoCA, visual artist Agnieszka Polska creates her first theatre piece, with interpretation by Albano Jerónimo, Íris Cayatte, Vera Maintaino and Bartosz Bielenia. A group of people travel in a car that doesn't stop. A tale about one's role in the complex system of human and nonhuman agents and socio-technological infrastructures.

    +
  • TERRA COBRE

    14 September 2024
    Festival Escena Patrimonio

    JOÃO PAIS FILIPE & MARCO DA SILVA FERREIRA

    New performance by sound artist and sculpture João Pais Filipe and dancer/choreographer Marco da Silva Ferreira, crossing the traditional practice of Alcáçovas' rattle art with contemporary artistic practices, anchored in percussion and dance.

    +
  • The Talking Car

    09 October 2024 — 10 October 2024
    HAU Berlin

    AGNIESZKA POLSKA

    Under an invitation from BoCA, visual artist Agnieszka Polska creates her first theatre piece, with interpretation by Albano Jerónimo, Íris Cayatte, Vera Maintaino and Bartosz Bielenia. A group of people travel in a car that doesn't stop. A tale about one's role in the complex system of human and nonhuman agents and socio-technological infrastructures.

    +