“Incorpóreo” is one of the most challenging solo exhibitions by Glantosz (João Melo), a young photographer from Faro who, at the age of 18, addresses complex themes such as conflict, sensitivity and the problem of accountability in the contemporary world.

Glantosz’s visual interventions, which are part of the exhibition “Presente Invisível” at the Fábrica da Cerveja, essentially raise two questions: “Am I one of these usually invisible elements of society that the artist portrays? Am I one of the blind people who look away from these figures?”

Divided into three parts, the artist exposes the frontality of what urgently needs to be recognised: the nine identities of invisibility (The Windows, which allude to the very architecture of the Fábrica), the ignored public spaces of the city (The Streets) and the victims historically relegated to indifference or concealment (The Work).

“Incorpóreo” serves as a set of triggers for the “common hypocrite” or a torch in a dark forest of bodies and identities. Opening with a performance on 6 September, the project intersects the architectures of the windows and walls of the Fábrica da Cerveja building with the architectures of the sensitive, the public space and the body.

Commission: BoCA – Biennial of Contemporary Arts

Next Performances

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  • O Barco / The Boat

    13 April 2024 — 14 April 2024
    Inhotim, Brumadinho (Brasil)

    GRADA KILOMBA

    From 13 April, Galeria Galpão of Inhotim Institute will host O Barco / The Boat by Grada Kilomba, a sculptural, performative and poetic work commissioned by BoCA 2021 and presented for the first time in Brazil.

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  • The Talking Car

    18 April 2024 — 19 April 2024
    deSingel

    AGNIESZKA POLSKA

    Under an invitation from BoCA, visual artist Agnieszka Polska creates her first theatre piece, with interpretation by Albano Jerónimo, Íris Cayatte, Vera Maintaino and Bartosz Bielenia. A group of people travel in a car that doesn't stop. A tale about one's role in the complex system of human and nonhuman agents and socio-technological infrastructures. 

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  • The Talking Car

    16 June 2024 — 18 June 2024
    Wiener festwochen

    AGNIESZKA POLSKA

    Under an invitation from BoCA, visual artist Agnieszka Polska creates her first theatre piece, with interpretation by Albano Jerónimo, Íris Cayatte, Vera Maintaino and Bartosz Bielenia. A group of people travel in a car that doesn't stop. A tale about one's role in the complex system of human and nonhuman agents and socio-technological infrastructures. 

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  • TERRA COBRE

    18 July 2024 — 19 July 2024
    Festival dos Canais

    JOÃO PAIS FILIPE & MARCO DA SILVA FERREIRA

    New performance by sound artist and sculpture João Pais Filipe and dancer/choreographer Marco da Silva Ferreira, crossing the traditional practice of Alcáçovas' rattle art with contemporary artistic practices, anchored in percussion and dance.

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  • The Talking Car

    06 September 2024 — 07 September 2024
    Nowy Teatr

    AGNIESZKA POLSKA

    Under an invitation from BoCA, visual artist Agnieszka Polska creates her first theatre piece, with interpretation by Albano Jerónimo, Íris Cayatte, Vera Maintaino and Bartosz Bielenia. A group of people travel in a car that doesn't stop. A tale about one's role in the complex system of human and nonhuman agents and socio-technological infrastructures.

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  • TERRA COBRE

    14 September 2024
    Festival Escena Patrimonio

    JOÃO PAIS FILIPE & MARCO DA SILVA FERREIRA

    New performance by sound artist and sculpture João Pais Filipe and dancer/choreographer Marco da Silva Ferreira, crossing the traditional practice of Alcáçovas' rattle art with contemporary artistic practices, anchored in percussion and dance.

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  • The Talking Car

    09 October 2024 — 10 October 2024
    HAU Berlin

    AGNIESZKA POLSKA

    Under an invitation from BoCA, visual artist Agnieszka Polska creates her first theatre piece, with interpretation by Albano Jerónimo, Íris Cayatte, Vera Maintaino and Bartosz Bielenia. A group of people travel in a car that doesn't stop. A tale about one's role in the complex system of human and nonhuman agents and socio-technological infrastructures.

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