BoCA 2019 — Next Performances

RYAN TRECARTIN

Ryan Trecartin is one of the most daring artists working with video in current days. His movies are a mixture of performance arts, sitcoms and hypnotic digital collages, like the result of a collaboration between Bosch and Keith Haring. Shot in a former Masonic temple in Los Angeles – a five-story warren of large, cavernous rooms akin to a windowless convention center – “Temple Time” unfolds like a horror-movie group expedition in a campsite wasteland.

MEG STUART

Initially conceived for an ample and neutral room of Manifesta7, in 2008, this video-installation by Meg Stuart is now re-contextualized in the Albertas’ Chapel, inside the National Museum of Antique Art in Lisbon. Meg Stuart is exposed. A human face in a space of human hyper-representation. The real exposed in a place of representation. Is it us who look at Stuart or is Stuart the one looking at us?

MARINA ABRAMOVIC

The return of Marina Abramovic in Portugal. The last time she’s been here was in 1997 with the “Spirit House” installation, which she conceived for an old municipal slaughterhouse in Caldas da Rainha. “Spirit House” is composed of five videos that dialogue between them, in which we see Marina Abramovic in different performances created for the camera: ‘Dissolution’, ‘Insomnia’, ‘Luminosity’, ‘Dozing Con- sciousness’ and ‘Lost Souls’.

WILLIAM FORSYTHE

Since the 90s, parallel to his stage creations, Forsythe has developed installations, sculptures and movies he calls “Choreographic Objects”. Blurring the lines between performance, sculpture and installation, his “Choreographic Objects” invite the spectator to confront the fundamental notions of choreography. BoCA presents for the first time in Portugal one of the pieces that integrates this serie, the video “Alignigung 2”, in three museums of Lisbon, Porto and Braga.

WILLIAM FORSYTHE

Since the 90s, parallel to his stage creations, Forsythe has developed installations, sculptures and movies he calls “Choreographic Objects”. Blurring the lines between performance, sculpture and installation, his “Choreographic Objects” invite the spectator to confront the fundamental notions of choreography. BoCA presents for the first time in Portugal one of the pieces that integrates this serie, the video “Alignigung 2”, in three museums of Lisbon, Porto and Braga.

WILLIAM FORSYTHE

Since the 90s, parallel to his stage creations, Forsythe has developed installations, sculptures and movies he calls “Choreographic Objects”. Blurring the lines between performance, sculpture and installation, his “Choreographic Objects” invite the spectator to confront the fundamental notions of choreography. BoCA presents for the first time in Portugal one of the pieces that integrates this serie, the video “Alignigung 2”, in three museums of Lisbon, Porto and Braga.

JOÃO PEDRO RODRIGUES & JOÃO RUI GUERRA DA MATA

In the middle of the Príncipe Real Garden, iconographic site of LGBT bodies’ roaming, there can be found the subterranean Water Museum/Patriarchal Reservoir. BoCA presents the installation "National Identity" in a descent to the depths that re-contextualize the bodies the directors have been filming throughout the years, assembling film, photography and props from earlier works in a reflection on identities, and both gender and national identity.

JONATHAS DE ANDRADE

In the film “O Peixe” [The Fish] a fishing village stages a kind of ritual: they cradle the fish in their arms until their timely deaths. A limiting embrace – a rite of passage – where man retakes his condition as species and face to face with his prey, calms it down through an ambiguous sequence of gestures: affection, solidarity and violence. An embrace between predator and prey, between life and death, between the worker and the fruit of his labour.

NÍDIA

Nídia is one of the voices of a generation that has been transforming the international contemporary electronic music scene from a community basis. Her debut happened in 2015 with “Danger” as she still went by Nídia Minaj, and two years later released through Príncipe her first LP “Nídia é Má, Nídia é Fudida”.

BLACK

We can gather Lisbon’s cultural history from this century and appoint Black as one of the motors/mentors that made it become what we know today. Maybe you’ll have to investigate a little further to know his real name, but as co-founder of group Filho Único, the life of the city nowadays is what he helped create.

JONATHAS DE ANDRADE

In the film “O Peixe” [The Fish] a fishing village stages a kind of ritual: they cradle the fish in their arms until their timely deaths. A limiting embrace – a rite of passage – where man retakes his condition as species and face to face with his prey, calms it down through an ambiguous sequence of gestures: affection, solidarity and violence. An embrace between predator and prey, between life and death, between the worker and the fruit of his labour.

ANDRÉ ROMÃO

The “Flora” exhibition by André Romão presents a series of sculptures, photography and videos made over the last few years by the artist himself, propositioning us with a free and speculative narrative on the conditions of inhabitability and survival in the world, physically as well as culturally.

VOLMIR CORDEIRO

In “Rua”, Volmir manifests in the different bodies and faces the street might contain. The space which is drifted and crossed by the dancer’s redesigning by movement converts in an open abstraction, as the performer condenses in his body the diverse characters of the urban fauna, the ones most marginalized. A choreographic answer to the reading of the war poems of Bertolt Brecht, “Rua” instills a dance of thought and body, densifying the space, inhabiting a thousand ghosts.

INSTITUTE OF BLACK WOMEN FROM PORTUGAL - INMUNE

The Institute of Black Women in Portugal - INMUNE answers to BoCA’s invitation to create a spoken word performance around the themes that involve the creation of this intersectional and anti-racist feminist entity, made up entirely of black women. This performance, “Gestuário II” leads intact in the fight against the silencing of black women, African and afro-descendant in past and today’s History.

VOLMIR CORDEIRO

In “Rua”, Volmir manifests in the different bodies and faces the street might contain. The space which is drifted and crossed by the dancer’s redesigning by movement converts in an open abstraction, as the performer condenses in his body the diverse characters of the urban fauna, the ones most marginalized. A choreographic answer to the reading of the war poems of Bertolt Brecht, “Rua” instills a dance of thought and body, densifying the space, inhabiting a thousand ghosts.

TÂNIA CARVALHO

After presenting in 2017 a drawing exhibit in BoCA, “Toledo”, we now know another of her artistic expressions, Tânia in concert. This is where she can explore the creative possibilities of the instrument, in a concert where for the first she will also be composing with another performer, André Santos, who joins her in piano. The lyrics are either the artist’s very own or texts from Fernando Pessoa.

INSTITUTE OF BLACK WOMEN FROM PORTUGAL - INMUNE

The Institute of Black Women in Portugal - INMUNE answers to BoCA’s invitation to create a spoken word performance around the themes that involve the creation of this intersectional and anti-racist feminist entity, made up entirely of black women. This performance, “Gestuário II” leads intact in the fight against the silencing of black women, African and afro-descendant in past and today’s History.

VASYA RUN

Vasya Run is a Russian anonymous collective, composed of boys between ages 16 to 27 from the Moscow periphery, mixing contemporary art, theatre, street subcultures and spiritual emancipation rituals. Throughout rehearsals, movement research, group work and spiritual practices based on “Fourth Way” by George Gurdiief, Vasya Run arrive for the first time in Portugal with the premiere of a new creation. "If you want to continue" has as its main concept the hero figure.

MARIA TRABULO

This work presents itself as an installation composed of several elements that local performers will activate in specific moments, inviting the audience to join in on the process. This work presents a reflection around the possibility of being able to still make revolutions facing the changes the digital revolution has introduced to society and communication, and facing the isolationism practiced by the states.

CATERINA BARBIERI

Caterina Barbieri’s music has its origins on the meditation over primary waves and the polyrhythmic dance of harmonics. Her algorithmic approach to composition rooted in minimalism and Indian tradition, as well as her pragmatic attitude towards sequencing, unfolds in audible images that are surprisingly organic and almost tangible, to which she refers as “ecstatic computation”.

VASYA RUN

Vasya Run is a Russian anonymous collective, composed of boys between ages 16 to 27 from the Moscow periphery, mixing contemporary art, theatre, street subcultures and spiritual emancipation rituals. Throughout rehearsals, movement research, group work and spiritual practices based on “Fourth Way” by George Gurdiief, Vasya Run arrive for the first time in Portugal with the premiere of a new creation. "If you want to continue" has as its main concept the hero figure.

CATERINA BARBIERI

Caterina Barbieri’s music has its origins on the meditation over primary waves and the polyrhythmic dance of harmonics. Her algorithmic approach to composition rooted in minimalism and Indian tradition, as well as her pragmatic attitude towards sequencing, unfolds in audible images that are surprisingly organic and almost tangible, to which she refers as “ecstatic computation”.

THE OTOLITH GROUP

"The Third Part of the Third Measure” creates an encounter with the militant minimalism of African-American avant-garde composer, pianist and singer Julius Eastman. The film invites spectators to watch the ecstatic artistry of black radicalism that Eastman himself once described as "full of honor, integrity and unlimited courage".

GONÇALO M. TAVARES & OS ESPACIALISTAS

“Laboratory of Ways to Feel Above Average”. This is the proposal of Gonçalo M. Tavares (writer) & Os Espacialistas (collective of architects working on performance art) for BoCA 2019. These are three exclusive performances presented in theatre spaces, originating from the theme “Animals and Money", introducing an ephemeral space for Direct Art, of conscientialization and practical revelation of the artistic potential of the human daily life.

HORÁCIO FRUTUOSO

“Biblioteca” [Library] is the visual artist Horácio Frutuoso’s answer to the proposal of creating an installation having its starting point the video “A Experiência do Lugar II” by Helena Almeida. Horácio Frutuoso conceives three objects in acrylic, with three colors: transparent crystal, opaque black and translucent gray, presented in Lisbon Green House, a deposit of species, of shapes, as well as an archive.

PROJECTO TEATRAL

Colective Projecto Teatral is, at the moment, constituted by João Rodrigues, Maria Duarte, Helena Tavares, André Maranha and Gonçalo Ferreira de Almeida. In this BoCA's edition they present a new creation, "São Simeão da Montanha Admirável" [Saint Simeon of the Admirable Mountain], for the church of the São Pedro de Alcântara Convent, located in the heart of Lisbon.

GABRIEL FERRANDINI

Under an invitation by BoCA, the drummer Gabriel Ferrandini conceives his first stage creation, sharing the stage with the actor Frederico Barata. “Rosa. Espinho. Dureza.” is made out of three acts: labour, sex, love. As a triptych, in which concepts and materials are interlinked, each act will have an action and object represent its respective “problem”, repeated ad nauseam, testing the persistence and concentration of the performers and the audience.

BEYONCÉ MASS by YOLANDA NORTON

What if “Flaws and All” was a song about a complicated relationship with God? And “Survivor” spoke to how Black women thrive even as they’re undervalued and underestimated? Beyoncé Mass is a womanist worship service that uses the music and personal life of Beyoncé as a tool to foster an empowering conversation about the marginalized and forgotten, in particular Black women - their lives, their bodies, and their voices.

ADOLFO LUXÚRIA CANIBAL

Adolfo Luxúria Canibal, known mainly for his work as a musician and lead singer of the band Mão Morta, presents at BoCA a performance and installation, with various plastic elements, music, video and the launching of a book.

GONÇALO M. TAVARES & OS ESPACIALISTAS

“Laboratory of Ways to Feel Above Average”. This is the proposal of Gonçalo M. Tavares (writer) & Os Espacialistas (collective of architects working on performance art) for BoCA 2019. These are three exclusive performances presented in theatre spaces, originating from the theme “Animals and Money", introducing an ephemeral space for Direct Art, of conscientialization and practical revelation of the artistic potential of the human daily life.

ARCA

Arca is the pseudonym of shapeshifting Venezuelan artist, singer, DJ, performer, and experimental music composer Alejandra Ghersi, a visionary of a new world where vulnerability is the powerful source of explosive energy. In a unique event, BoCA hosts a meeting with Arca, who will share her thought-provoking work and discuss the intersections between artistic creation, music, and performance.

MILO RAU

In the film “Congo Tribunal” theatre director Milo Rau gathers the victims, perpetrators, witnesses and analysts of the war in Congo for a previously unseen civil court in Eastern Congo. Milo Rau creates an unfiltered portrait of one of the largest and bloodiest economic wars in the history of mankind.

TANIA BRUGUERA

Following her recent investigation in the Tate Modern (London), “Narciso” evokes the migration and refugee crisis. Through the eye of Bruguera, this movement gains an expression of individual crisis centered in the body and the identity of each spectator: “A person will sit on a sculpture and will observe their face in the water. When they get near the water to see themselves, the reflection found will not be theirs but that of an immigrant person”, writes Tania Bruguera.

JULIAN ROSEFELDT

Rosefeldt collaged historical original texts from numerous manifestos by artists, architects, choreographers, and filmmakers as Filippo Tommaso Marinetti, Tristan Tzara, Adrien Piper or Sol LeWitt. By way of cutting back and combining the texts, 13 poetic monologues emerged, bringing the new manifesto texts together with situations of today, with women holding public speeches or interior monologues. They are all embodied and presented by the actress Cate Blanchett.

GULBENKIAN CHOIR SINGS "STIMMUNG" BY STOCKHAUSEN

“Stimmung” (1968) is one of the most notable and fundamental works from Stockhausen, one of the greatest composers of the 20th century. Conceived for six solo voices, the work is now displaced in a response to its radicalism and its sense of religion to one of the temples of our contemporaneity, a nightclub (Lux Frágil), in the context of BoCA.

GABRIEL FERRANDINI

Under an invitation by BoCA, the drummer Gabriel Ferrandini conceives his first stage creation, sharing the stage with the actor Frederico Barata. “Rosa. Espinho. Dureza.” is made out of three acts: labour, sex, love. As a triptych, in which concepts and materials are interlinked, each act will have an action and object represent its respective “problem”, repeated ad nauseam, testing the persistence and concentration of the performers and the audience.

MILO RAU

In the film “Congo Tribunal” theatre director Milo Rau gathers the victims, perpetrators, witnesses and analysts of the war in Congo for a previously unseen civil court in Eastern Congo. Milo Rau creates an unfiltered portrait of one of the largest and bloodiest economic wars in the history of mankind.

THE OTOLITH GROUP

"The Third Part of the Third Measure” creates an encounter with the militant minimalism of African-American avant-garde composer, pianist and singer Julius Eastman. The film invites spectators to watch the ecstatic artistry of black radicalism that Eastman himself once described as "full of honor, integrity and unlimited courage".

MILO RAU

In the film “Congo Tribunal” theatre director Milo Rau gathers the victims, perpetrators, witnesses and analysts of the war in Congo for a previously unseen civil court in Eastern Congo. Milo Rau creates an unfiltered portrait of one of the largest and bloodiest economic wars in the history of mankind.

ECOTEMPORÂNEOS

"Ecotemporâneos" [Ecotemporaries] is an inclusive literary community acting in the green spaces of Lisbon, constituted by a diverse group of visual and auditory deficient people as well as people who can see and hear. The project shares a common time (contemporary) and a common space (the environment) around access to literature and its relation to a site.

GUESTS:
6 APR | Matilde Campilho (writer)
20 APR | Mamadou Ba (director of SOS Racism)

JOANA DA CONCEIÇÃO

In the Casa dos Crivos performance, Joana da Conceição proposes that we accompany the succession of ephemeral paintings she will be creating through the manipulation of objects, pictures and sound. For this multimedia game the artists brings her own original material, be it paintings, music or drawings, that she combines with found objects.

JULIAN ROSEFELDT

Rosefeldt collaged historical original texts from numerous manifestos by artists, architects, choreographers, and filmmakers as Filippo Tommaso Marinetti, Tristan Tzara, Adrien Piper or Sol LeWitt. By way of cutting back and combining the texts, 13 poetic monologues emerged, bringing the new manifesto texts together with situations of today, with women holding public speeches or interior monologues. They are all embodied and presented by the actress Cate Blanchett.

CIUDAD ABIERTA

“Punto de Fuga” is an interdisciplinary action that consists of the execution of three performances in open spaces: in the Chilean artistic community Cidade Aberta (Valparaíso), in the Magellan Strait (between the Atlantic and Pacific Oceans) and in MAAT (Lisboa). This project, that has been re-equating issues about body-territory, architecture, public space, history or habitation.

RUI CHAFES & VERA MANTERO

“Comer o Coração” consists of a sculpted iron piece sus- pended in air and of a living body that lives in it, in vertigo, resulting in collaborative creation and conception between sculptor Rui Chages and dancer plus choreographer Vera Mantero. With BoCA’s invitation, “Comer o Coração” now takes a new perspective and a new name, “Comer o Coração em Cena”, migrating to the theatre stage the magnitude of a piece that has had its origin in a museum.

JONATHAN ULIEL SALDANHA

"Scotoma Cintilante" is a performance-concert for a mixed choir of blind people with three dimensional graphical sheet music. The surface of a sculpture-machine is the inanimate matter that operates the mutation over the voice in time. Coming from a world-vision where tactile relations with inanimate matter is the primordial source of sound building, this performance-concert submits itself between matter and animates, pre-language and surface.

MARLENE MONTEIRO FREITAS

In “Cattivo”, the music stands are explored up to the limit of their expressive properties, their capacity to flesh out other emotional states and to make decisions, manipulating themselves and other objects, forming as a team in a symphonic community, with different instruments, rhythms, melodic lines... Akin to a stage, a garden or dollhouse, the installation will remain between vegetable, animal and the fantasy world.

ALFREDO MARTINS

“Silent Disco” is an immersive show that happens in night- clubs, exploring the potential of the technology from ‘silent disco’ parties. This creation aims to speculate on the nature of clubbing as an act of resistance, capable of reconfiguring forms of reflection, affection and corporality. Spectacular identities, multiple sexualities, hedonistic consuming, raw physicality - do each of these constitute as a political practice of resistance?

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WOLFGANG TILLMANS
In Tillmans’ universe there is music, dance, dilated pupils, liberated sex, political affirmation and also abstract images. In the context of BoCA, he displays the most obscure side of his art: Tillmans also produces electronic music. It’s this hidden profile of the artist that he shares with us in Lisbon in a unique moment, starting the night with pre-recorded music as well as live set, with CDJ’s and microphone.

DIANA POLICARPO

“Total Eclipse” is also a sound installation inspired in ‘Status Quo’ (1938), a performance by Sound of Spheres, for the unperformed political opera by the German-American Johanna M. Beyer. It is also an arrangement and a story of art that broke art itself - which is what the term avant-garde wants to describe but still can’t, because Beyer was a woman.

MARIANA TENGNER BARROS

Séance” is an intimate performance, for 3 to 10 spectators at a time in unique and continuous sessions of 30 minutes each. Barros dives deep in Victorian era aesthetics, searching for reference in the Espírita movement that emerged in the 19th century simultaneously with the feminist movement and as a reaction to the industrial revolution, that at the same time denotes the permanence in the 21st century of the strong desire for the paranormal and supernatural.

TÂNIA CARVALHO

After presenting in 2017 a drawing exhibit in BoCA, “Toledo”, we now know another of her artistic expressions, Tânia in concert. This is where she can explore the creative possibilities of the instrument, in a concert where for the first she will also be composing with another performer, André Santos, who joins her in piano. The lyrics are either the artist’s very own or texts from Fernando Pessoa.

OLA MACIEJEWSKA

In “Bombyx Mori”, a play for three female performers, Ola Maciejewska takes inspiration from the “Serpentine Dance” from Loïe Fuller. Ola explores the relationship between human beings and physical matter in art, creating movement in sizable pieces of cloth. Waterfalls of black clothing wave throughout the stage, creating short-lived whirlpools, wings and mythical creatures that parade exuberantly before our eyes.

GERARD & KELLY

Gerard & Kelly continue their research on pole dance, questioning the violence related to race, gender, sexuality and national identity. Throughout various citations and transformations of the American flag and national anthem, in “State Of” we can watch a group of white and black men exploring the critical potential of intimacy, to suspend violence regarding our differences.

GONÇALO M. TAVARES & OS ESPACIALISTAS

“Laboratory of Ways to Feel Above Average”. This is the proposal of Gonçalo M. Tavares (writer) & Os Espacialistas (collective of architects working on performance art) for BoCA 2019. These are three exclusive performances presented in theatre spaces, originating from the theme “Animals and Money", introducing an ephemeral space for Direct Art, of conscientialization and practical revelation of the artistic potential of the human daily life.

PAULO CASTRO

"Hello My Name Is” is a solo show, performed by Timorese actor Rashidi Edward. In this one-man show, Rashidi makes a powerful display of a man who acts many parts – he is the one mourning for someone killed and right after he is the soldier who takes the shot -, using the poetic language of Edward Bond to draw attention to the place each one occupies in the games of tyrannical power.

MARIANA TENGNER BARROS

Séance” is an intimate performance, for 3 to 10 spectators at a time in unique and continuous sessions of 30 minutes each. Barros dives deep in Victorian era aesthetics, searching for reference in the Espírita movement that emerged in the 19th century simultaneously with the feminist movement and as a reaction to the industrial revolution, that at the same time denotes the permanence in the 21st century of the strong desire for the paranormal and supernatural.

PAULO CASTRO

"Hello My Name Is” is a solo show, performed by actor Rashidi Edward. In this one-man show, Rashidi makes a powerful display of a man who acts many parts – he is the one mourning for someone killed and right after he is the soldier who takes the shot -, using the poetic language of Edward Bond to draw attention to the place each one occupies in the games of tyrannical power.

PEDRO BARATEIRO

Pedro Barateiro’s project “The Inverted Journey” is a performance and installation commissioned by BoCA that allows him to work on the stage of the Sala Garrett of the National Theatre, having as its backdrop the exploitation of the lithium mines in Portugal, in an investigation that also goes through the book “Queda sem fim, seguido de Descida de Maleström, de Edgar Allan Poe”, written by José A. Bragança de Miranda.

JONAS & LANDER

“Coin Operated” follows an invitation from BoCA to Jonas & Lander to create a piece for a museum where dialog with the audience is direct and depends on itself. Jonas & Lander design a new relationship with the spectator where it starts having an ac- tive role in the consequence of the artistic action, making way for diverse and surprising scenes in every presentation, or in this case in the duration of every coin inserted in the horse rides.

MARIANA TENGNER BARROS

Séance” is an intimate performance, for 3 to 10 spectators at a time in unique and continuous sessions of 30 minutes each. Barros dives deep in Victorian era aesthetics, searching for reference in the Espírita movement that emerged in the 19th century simultaneously with the feminist movement and as a reaction to the industrial revolution, that at the same time denotes the permanence in the 21st century of the strong desire for the paranormal and supernatural.

ANGÉLICA LIDDELL

In this new creation, having its starting point the Leopold Von Sacher-Masoch narrative as well as the one from Marquis de Sade, the essay “The Cold and The Cruel” (1967) by Gilles Deleuze, Angélica Liddell focuses on the literary and artistic part of perversions, far away from any clinical explanation, where it is highlighted the poetic expression that goes beyond any artistic frontier or discipline to display the relations between father and daughter.

JOÃO PAIS FILIPE

João Pais Filipe is a percussionist, drummer and sound sculptor from Porto. Futurist and traditional. Ethno techno. For the Casa do Volfrâmio in Tibães Monastery (Braga) a circular installation of gongs is projected, suspended from sculpted items that can be sonically activated by the visitors. There will be two moments of live performance-concert of physical interaction between the musician and his sculptures-instruments.

Education and creation project based on HELENA ALMEIDA

The project honors, through contemporary music, one of the greatest artists of the XX and XXI century, Helena Almeida (1934-2018). Bringing together students from the three main Music universities of Lisbon, Porto and Braga, young composers create new works from the series of the same name by Helena Almeida. The result: a concert that brings together students from the three universities.

KUKURUZ QUARTET PLAYS JULIUS EASTMAN

Afro-descendent and gay, the titles of Julius Eastman compositions - “Nigger Faggot”, “Crazy Nigger” or “Gay Guerrilla” - are publicly and socially aggressive confrontations that in opposition to the pieces themselves they are works of meditation. The Swiss pianist quartet Kukuruz Quartet continues its exploration around the political postminimalist music of Eastman, brought to Portugal for the first time, but also of Swiss composer Marcel Zaes.

Education and creation project based on HELENA ALMEIDA

The project honors, through contemporary music, one of the greatest artists of the XX and XXI century, Helena Almeida (1934-2018). Bringing together students from the three main Music universities of Lisbon, Porto and Braga, young composers create new works from the series of the same name by Helena Almeida. The result: a concert that brings together students from the three universities.

Education and creation project based on HELENA ALMEIDA

The project honors, through contemporary music, one of the greatest artists of the XX and XXI century, Helena Almeida (1934-2018). Bringing together students from the three main Music universities of Lisbon, Porto and Braga, young composers create new works from the series of the same name by Helena Almeida. The result: a concert that brings together students from the three universities.

LINN DA QUEBRADA

Linn’s first LP gains its title of “Pajubá” after the dialect spoken by the gay community and its supporters in Rio de Janeiro. The name comes from the African languages and has begun being used by the transvestites of Rio as a form of survival against the violence on the streets. With lyrical and incisive power, frequently humorous, she approaches topics such as violence, poverty, body politics, sex, desire and the daily struggles of Brazilian trans women.

JONATHAN ULIEL SALDANHA

"Scotoma Cintilante" is a performance-concert for a mixed choir of blind people with three dimensional graphical sheet music. The surface of a sculpture-machine is the inanimate matter that operates the mutation over the voice in time. Coming from a world-vision where tactile relations with inanimate matter is the primordial source of sound building, this performance-concert submits itself between matter and animates, pre-language and surface.

BoCA SUMMER SCHOOL

The film director João Salaviza confronts his last three films ("Russa", "High Cities of Bones", "The Dead and the Others"), where he rehearses new ways of thinking, producing, and living Cinema. Participants are also invited to bring out sketches, ideas and maps for future films.

BoCA SUMMER SCHOOL

Claudia Castellucci, co-founder with Romeo Castellucci and Chiara and Paolo Guidi of the Italian theater company Societas Raffaello Sanzio, in 1981, comes to Portugal to develop a workshop that combines dance and gesture theory. The workshop "The Wave Treatment" is built according to a rhythmic principle that considers the different moments of the day. A dance based on the sound of the bells and implemented with a stick.

BoCA SUMMER SCHOOL

This is the first time French choreographer Mathilde Monnier directs a workshop in Portugal. She will go through different writing processes related to her repertoire, which are also an opportunity to think about the notion of reinterpretation. This workshop will also be a space to question the need to go through contemporary repertoires to better understand what is represented in time and how writing can cross (or not) an era.

BoCA SUMMER SCHOOL

How can we use the preparation for the ring as a preparation to make dance or art? What if the preparation of the fighter is an artistic process? We want to explore the exchangability of physical disciplines as a tool for dancers, makers and creative people. Choreographer and performer Florentina Holzinger, who was at BoCA 2017 for an artistic residency, proposes now a workshop to recruit warriors, assuming that this will result in better artistry.