ECOTEMPORANEOUS

This is the project that has brought together different personalities to think about Lisbon’s green spaces in relation to literature. Now, in an online format, each guest shares a photo of himself in a natural landscape, relating it to a book he has at home. A dialogue is established between the interior and the exterior, between the body (confined to housing and photography), nature and imagination. An informal chat via live Instagram, in which the online community is invited to participate.
Every Sunday until at least 30 June 2020.

Every Monday we launch the week’s schedule on our website and social networks. Subscribe to our newsletter and our Youtube channel to receive news first hand.

WEEK 3

Guest: Albano Jerónimo (actor and director)
Location of the photo: Douro
Selected book: “Silence in the era of noise” by Erling Kagge, Quetzal publisher

Albano Jerónimo responds to our invitation with the choice of a photograph of him looking at the Douro River, dated 2019. In relation to this image, he chose the book “Silence in the era of noise” by Erling Kagge, a meditation on the power of silence . In this personal and atmospheric book, between meditative and practical, Erling Kagge poses three questions: What is silence? Where can it be found? Why is it more important than ever?
In the 10th of May Ecotemporaneous session we will discover the relationship that Albano Jerónimo links between his photograph and the book.

Albano Jerónimo (1979) attended the Theater Course in Training of Actors at the Escola Superior de Teatro e Cinema, in Lisbon. Co-founder of the theater company21. In Theater he worked with: Luís Fonseca, Ricardo Gageiro, Fernanda Lapa, Cristina Carvalhal, Diogo Infante, João Mota, Isabel Medina, John Retallack, Tiago Guedes, Nuno Carinhas, Ricardo Pais, Nuno M. Cardoso, Rui Mendes, Beatriz Batarda, Cláudia Lucas Chéu, Nuno Cardoso, Mickael de Oliveira, John Romão, Jorge Andrade, Carlos Pimenta, Carla Maciel, among others. Recently, he was an interpreter in Quarteto (Heiner Muller), staged by Carlos Pimenta; Pigsty (Pier Paolo Pasolini), directed by John Romão; Socrates must die and the Life of John Smith (Mickael de Oliveira), staged by Mickael de Oliveira; Coriolano (Shakespeare), staged by Nuno Cardoso; and O Dececido Mattia Pascal (Pirandello), with Jorge Andrade at Mala Voadora. He debuted as a director at the D. Maria II National Theater – Lisbon, with A Libretto to Stay at Home, His Anomalies, starting with Rodrigo Garcia and rewritten by Mickael de Oliveira, in a Tropical Opera and then with Veneno by Cláudia Lucas Chéu, touring several theaters in the country. In Cinema he worked with: Luís Fonseca, José Fonseca e Costa, Raúl Ruiz, Sérgio Graciano, Marco Martins, Francisco Manso, José Farinha, Sandro Aguilar, Pedro Varela, Miguel Gaudêncio, Gonçalo Galvão Telles, Solveig Nordlund, Vicente Alves do Ó, Valeria Sarmiento, Henrique Pina, Christian von Castelberg, Luis Galvão Telles, Jonas Rothlaender, Caca Diegues, Stan Douglas, Edgar Pêra, Ciaran Donnelly, Stephen St. Leger, Tiago Guedes, among others. In television he participated in several soap operas and series, in which the Vikings series stands out, playing Euphemius, produced by MGM and the History Channel; and Sara, from Marco Martins, for RTP2. Nominated for several awards, the awards for Best Actor in Anesthesia, by Pedro Varela, in ShortCutz; Best Secondary Actor at the Entertainment Awards with Kaminhos Magnétykos, by Edgar Pêra; Best Cinema Actor at the Euphoria Film Festival with Florbela, by Vicente Alves do Ó; Sophia Award for Best Secondary Actor in Linhas de Wellington, by Valéria Sarmiento; nomination for Best Actor in a Series at the Monte Carlo Television Festival in Cidade Naked; nomination for a Golden Globe Theater with Menina Júlia, by August Strindberg, among others.

Next Performances

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  • O Barco / The Boat

    29 September 2022 — 19 October 2022
    Somerset House, London

    GRADA KILOMBA

    Grada Kilomba's first large-scale installation travels to London, at Somerset House. Consisting of 140 burnt wood blocks, it invites the audience to enter a garden of memory, in which poems rest on burnt wood blocks, recalling forgotten stories and identities. What stories are told? Where are they counted? How are they counted? And told by whom? These are questions that arise when entering this installation.

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  • Workshop “Phenomena of society and critical and artistic distance”

    30 September 2022 — 02 October 2022
    MAAT - Museu de Arte, Arquitetura e Tecnologia

    ORLAN

    She shocked the world in the 1990s when he performed “The Reincarnation of Santa ORLAN”, a series of nine plastic surgeries that were broadcast via satellite to several museums and art galleries in Europe. ORLAN is one of the most important French artists, author of the manifesto “Carnal Art”. She runs a three-day workshop for the first time in Portugal.

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  • Coin Operated

    07 October 2022 — 08 October 2022
    Théâtre National de Chaillot, Paris

    JONAS & LANDER

    "Coin Operated" came from an invitation by BoCA to Jonas & Lander, to create a museum piece. The scenic device features two coin-operated motor horses, with both performers seated on it. For something to happen, the audience has to insert a coin into the horses. The performance addresses the economic and power relationship, the conquest of territory, slavery, the mounting of the more powerful social classes to the less fortunate.

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  • Cattivo

    08 December 2022 — 21 December 2022
    La Villette - Grand Halle, Paris

    MARLENE MONTEIRO FREITAS

    Installation commissioned by BoCA in 2019, CATTIVO is a large-scale installation made up of hundreds of music stands designed by Cape Verdean choreographer Marlene Monteiro Freitas. Through the use of a sensorial type of stage mechanism, these objects, usually at the service of the musician and the score, become subjects with their own feelings and desires. CATTIVO explores the borders of the animal, plant and imaginary worlds.

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  • Trouble

    15 December 2022 — 18 December 2022
    La Villette, Paris

    GUS VAN SANT

    Film director Gus Van Sant ventures into his first stage creation with a Portuguese team, a musical theater show inspired by Andy Warhol and his overwhelming talent to elevate images to an icon, while scaling as a persona and artist to world celebrity status. A BoCA production touring now to La Villette, in Paris.

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